Review: Omar Sabbagh 'Dye and Other Stories'

Comfortable in any medium, but with a recognisable voice, Omar Sabbagh has already published essays (Disciplined Subjects and Better Selves), a novella (Via Negativa) and poetry (Square Root of Beirut and My Only Ever Oedipal Complaint). It is unsurprising, then, that these prose pieces are mature and developed. Literature, theology and his alter ego—personified in characters such as Omar Ghaleez or hinted in autobiographical traces—haunt Sabbagh’s work. Like his nonfiction, but even more spirited, Dye and Other Stories plays seriously with philosophical ideas, richer for their narrative ambiguities. And these ideas have much to do with interrogating selfhood in its metaphysical context, making the introspective mood appropriate. A consistent feature of Sabbagh’s writing is his engagement with other writers, especially from the modernist tradition and authors with an interest in self-identity. Here, writers of self-reflection make frequent appearances (Jorge Luis Borges, Vladimir Nabokov), but more explicitly authors of Confessional writing appear over and over too: Thomas De Quincey, Augustine, Franz Kafka. This genre, with all of its religious connotations intact, grounds the book.

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