Review: Julio Cortázar 'Multinational Vampire: An Attainable Utopia'

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Part comic book, part novella, part epistolary literature, and replete with footnotes, Julio Cortázar’s fantastically experimental Fantomas versus the Multinational Vampire: An Attainable Utopia (translated by David Kurnick) is a majestic wonder in its sheer, resplendent weirdness. There’s even an appendix delightfully entitled, ‘A friendly piece of advice: read the appendix last, why rush things when we’ve gotten off to such a good start?’ And the first two chapters are prefaced, á la early modern literature, with proleptic summaries such as ‘Concerning how the narrator caught his train in extremis (and from here on we dispense with chapter headings, as there will be numerous beautiful pictures to punctuate and enliven the reading of this fascinating story).’ The mass destruction of all the world’s literature as a part of a vast conspiracy, famous authors threatened with death if they deign to write again, Susan Sontag amongst the cast, a hero who makes references to the surrealist film Un chien andalou and the revolutionary utopian Second Russell Tribunal all come together in a book that satirises the superhero genre so much better than the better known Alan Moore and Dave Gibbons’s The Watchman ever manages. The author stand-in Julio, opines on things such as that ‘the people are alienated, badly informed, deceptively informed, mutilated by a reality that very few understand.’ Or even that ‘history is like stake and potatoes, you can order it everywhere and it always tastes the same.’

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